| Special One Night Events &
Limited Engagements, Sneak Previews in March:
http://www.myspace.com/americancinematheque

Thursday, March 11 7:30 PM
Double Feature - Claire Trevor 100th Birthday:
KEY LARGO, 1948, Warner Bros., 101 min. Dir. John Huston.
Humphrey Bogart is Frank McCloud, a down-on-his-luck veteran visiting the father (Lionel
Barrymore) and sister (Lauren Bacall) of his dead WWII buddy at their Florida Keys hotel
just as a hurricane is about to hit. To make matters worse, on-the-run mobster Johnny
Rocco (Edward G. Robinson) has decided to lay low there with his moll (Claire Trevor) and
henchmen. View trailer | Buy
Tickets
MURDER MY SWEET, 1944, Warner Bros., 95 min. Dir.
Edward Dmytryk. Philip Marlowe, the quintessential L.A. private eye, searches for an
ex-con's girlfriend, but, as always, winds up swimming in deceit and double-crosses, all
of it washing up at a lavish Malibu beach house. Featuring former hoofer Dick Powell as
Marlowe, and Claire Trevor as the fabulous femme fatale. View trailer

Friday, March 12 7:30 PM
70mm! VERTIGO, 1958, Universal, 129 min. With its
stunning visuals and gripping characters, director Alfred Hitchcocks psychological
suspense masterpiece VERTIGO continues to entrance audiences. Retired San Francisco police
detective "Scottie" Ferguson (James Stewart) becomes obsessed with Madeleine
Elster (Kim Novak), a troubled woman he is privately hired to follow. Tragedy ensues when
Ferguson later stumbles upon Judy Barton (also played by Novak), a young woman who bears a
striking resemblance to Madeleine
and his obsession spirals out of control. View trailer | Buy
Tickets

Saturday, March 13 7:30 PM
Katharine Ross In Person! Double Feature:
By the time Katharine Ross became a household name with her turn as Elaine Robinson in
1967s THE GRADUATE, she had already honed her craft in dozens of
hours of television and in the Civil War classic SHENANDOAH. Ross quickly followed her
Oscar-nominated breakthrough with an equally high-profile role in BUTCH CASSIDY AND THE
SUNDANCE KID and a critically acclaimed performance in TELL THEM WILLIE BOY IS HERE. In
subsequent years she worked with maverick directors from Brian De Palma to Richard Kelly
(her appearance as Donnie Darkos psychiatrist introduced her to a whole new
generation of filmgoers), and starred in one of the most iconic films of its era, THE
STEPFORD WIVES.
THE GRADUATE, 1967, Stuart Lisell, 105 min. Dir. Mike
Nichols. In this iconic 1960s classic, Dustin Hoffman stars as Benjamin Braddock, a recent
college graduate in search of a little direction in his life. He soon finds himself having
an affair with the wife of his fathers partner, Mrs. Robinson (the fabulous Anne
Bancroft). Things get even more complicated when he falls for Mrs. Robinsons
beautiful, level-headed daughter (Katharine Ross). Featuring an unmatched soundtrack by
Simon and Garfunkel, and the riotously funny, generation-defining line of dialogue,
"Plastics." View
trailer
GAMES, 1967, Universal Pictures, 100 min. Dir. Curtis
Harrington. Beautiful people James Caan and Katharine Ross live in a funhouse filled with
Pop Art and pinball games until mysterious charlatan Simone Signoret drops in, and
the parlor games turn devilishly sinister. Discussion in
between films with Katharine Ross. Buy Tickets

Sunday, March 14 7:30 PM
Larry Karaszewski Presents: Buck Henry In Person! Double
Feature: Buck Henrys unique satiric sensibility has kept
audiences laughing from his days in 1960s television (when he co-created "Get
Smart" with Mel Brooks) to his appearances on "The Daily Show" and "30
Rock" more than 40 years later. In the interim he has written, directed, and/or
starred in many films that are now classics, including THE GRADUATE, HEAVEN CAN WAIT, and
CATCH-22. Join us for a celebration of Henrys work that features his role in Milos
Formans first American feature, TAKING OFF, and his work as
writer-actor in Mike Nichols CATCH-22.
TAKING OFF, 1971, Universal, 93 min. Director Milos
Formans first American film is a warm and hilariously subversive comedy about
parents trying to cope with their runaway children. The focus is on bewildered Buck Henry
and Lynn Carlin as they try to deal with daughter Linnea Heacocks flight to
Greenwich Village hippie life - and end up expanding their consciousness as much as she
does!
CATCH-22, 1970, Paramount Pictures, 122 min. Dir. Mike
Nichols. After their triumphant collaboration on THE GRADUATE, director Mike Nichols and
screenwriter Buck Henry reunited for this adaptation of Joseph Hellers satirical
WWII novel. The all-star cast includes Alan Arkin, Richard Benjamin, Art Garfunkel, Bob
Newhart, Anthony Perkins, Paula Prentiss, Jon Voight, Orson Welles and Henry himself. Discussion in between films with Buck Henry. View trailer | Buy
Tickets

Wednesday, March 17 7:30 PM
"We all remember our favorite teacher - captivating, wise, humorous, and very
kind. David Brown was like that for me. He and Richard Zanuck had the most successful
partnership in all of Hollywood and were wonderful mentors to me on my first two pictures.
In the middle of shooting JAWS David said to me No matter my age, I will
always feel 30! I've been living by that ever since." Steven
Spielberg, quoted in Entertainment Weekly
David Brown Memorial - Double Feature:
THE SUGARLAND EXPRESS, 1974, Universal, 109
min. Dir. Steven Spielberg. An ambitious blend of madcap slapstick and downbeat social
commentary starring Goldie Hawn and William Atherton as a latter-day Bonnie & Clyde. View
trailer | Buy
Tickets
JAWS , 1975, Universal, 124 min. Director
Steven Spielberg rocketed to the head of the class with this terrific mixture of suspense,
humor and modern Americana, based on the Peter Benchley best-seller. Roy Scheider is
excellent as a New England sheriff confronting a monstrous Great White Shark over a Fourth
of July weekend. With Robert Shaw, Richard Dreyfuss. View trailer | Buy
Tickets

Saturday, March 20 7:30 PM
Double Feature: CLUE,
1985, Paramount Pictures, 94 min. Dir. Jonathan Lynn. The popular board game comes to life
in this comic mystery that brings Colonel Mustard, Mrs. Peacock, Miss Scarlet, etc. to the
big screen - courtesy of a stellar cast that includes Eileen Brennan, Tim Curry, Madeline
Kahn, Christopher Lloyd, Michael McKean, and Martin Mull as a group trying to solve a
murder in a Gothic Victorian mansion. View trailer | Buy
Tickets
NUNS ON THE RUN, 1990, 20th Century Fox, 89 min.
Dir. Jonathan Lynn. Incompetent criminals Eric Idle (MONTY PYTHON) and Robbie Coltrane
(HARRY POTTER) are forced to hide out in a convent - disguised as nuns - after they bungle
a job in this hilarious farce. Discussion in between films
with Jonathan Lynn. View trailer

Sunday, March 21 7:30 PM
Director In-Person! Double Feature: THE
NAKED GUN: FROM THE FILES OF POLICE SQUAD!, 1988, Paramount
Pictures, 85 min. Director David Zucker and cowriters Jim Abrahams, Jerry Zucker, and Pat
Proft turned their brilliant cult TV series into a franchise-launching film with this
gag-laden comedy. Leslie Nielsen is sheer comic perfection as Frank Drebin, a detective as
confident as he is incompetent; in his attempts to save the Queen of England from an
assassination plot he inadvertently wreaks havoc all over Los Angeles. Priscilla Presley,
Ricardo Montalban, and George Kennedy costar in this movie that contains as many verbal
and physical jokes per minute as the creators' earlier AIRPLANE! View trailer | Buy
Tickets
THE NAKED GUN 2 1/2: THE SMELL OF FEAR, 1991,
Paramount Pictures, 85 min. Dir. David Zucker. Frank Drebin returns to head for Washington
D.C., where he receives an award for shooting 1000 drug dealers and then goes on to create
his usual brand of chaos. Endlessly inventive slapstick and wordplay make this that rare
sequel that's even funnier than its original. Leslie Nielsen, Priscilla Presley, and
George Kennedy return. Discussion in between films with
director David Zucker. View trailer | Buy
Tickets

Wednesday, March 24 7:30 PM
Co-presented by Filmforum: Los Angeles Premiere!
WORSE THAN WAR, 2009, JTN Productions and
Thirteen/WNET, 105 min. Dir. Mike DeWitt. In the spring of 2008, renowned Holocaust
scholar Daniel Jonah Goldhagen took a camera crew with him on a worldwide journey to
explore the roots of genocide in our time. This documentary is the unforgettable
filmed record of that trip, following Goldhagen as he travels to Rwanda, Bosnia, Ukraine,
Guatemala, Germany - sites of some of the worst mass slaughters in the past century - and
encounters an extraordinary array of people who provide powerful insights into why
genocide continues to plague our planet. Discussion following
with director Mike DeWitt, producers Jay Sanderson, Adam Hyman, and Eve Marson and editor
Jason Rosenfield. Buy
Tickets

Wednesday, March 31 7:30 PM
Miklos Jancso Double Feature:
Referred to as the "key Hungarian filmmaker of the sound era" by the Chicago
Reader's Jonathan Rosenbaum, Miklos Jancso is an essential director whose films have
had an astounding impact on European cinema, and whose gripping visual aesthetic is a
precursor to artists such as Theo Angelopoulos and Béla Tarr. Jancso's epic works are
eminent portrayals of the rebellion and bloodshed that is inherent to fascist
nation-states. Discover two of the artist's greatest films about early 20th century
Eastern-European revolution, SILENCE AND CRY and THE RED AND THE WHITE.
SILENCE AND CRY, 1968, 73 min. Dir. Miklos Jancso.
It is Hungary, 1919, and a former Red soldier on the run from White Terror agents finds
refuge in a family's farm home. However, the family is under political suspicion and
ruthlessly refuses to be caught or to let anyone expose them. The soldier eventually
realizes he is slowly being poisoned.
THE RED AND THE WHITE, 1967, 90 min. Dir. Miklos
Jancso. Elaborate tracking shots, haunting black-and-white and panoramic Scope images
frame this story of defeated Hungarian army soldiers caught behind enemy lines during the
Russian civil war of 1919. The difference between killer and victim blurs with
mind-boggling fluidity as the soldiers are left to defend themselves by all means
possible. |